编辑委员会
《艺术手册》的编辑团队包括出版人 Staffan Ahrenberg、瑞士贝耶勒基金会馆长 Samuel Keller、策展人兼艺术评论家 Hans Ulrich Obrist 和 Isabela Mora
Staffan Ahrenberg
Born in 1957 in Stockholm, Staffan Ahrenberg acquired Cahiers d’Art in 2011 and relaunched it in October 2012 with its eponymous art journal (La Revue). Edited by Ahrenberg, Sam Keller and Hans Ulrich Obrist, the first new issue in 52 years was dedicated to Ellsworth Kelly. Since 2013, he has published La Revue with artists including Rosemarie Trockel, Hiroshi Sugimoto, Gabriel Orozco, Calder, Picasso, Miró, Ai Weiwei, Christo and Arthur Jafa.
Ahrenberg organised Le Corbusier. The Secrets of Creativity: Between Painting and Architecture, curated by the late Jean-Louis Cohen, at the Pushkin Museum, Moscow (2012), and Moderna Museet, Stockholm (2013). In 2015, with the Fondation Beyeler and the AVC Charity Foundation, Moscow, he co-organised the futuristic opera Victory Over the Sun, with costumes and sets by Kazimir Malevich, at Theater Basel; later staged at the Fondation Louis Vuitton, Paris.
In 2017, Ahrenberg opened the Cahiers d’Art–König Bookstore at the Palais de Tokyo, Paris, with Walther König—the city’s largest art bookstore. In 2018, he was honoured as a Knight of the Order of Arts and Letters in France, and in 2020 established the Cahiers d’Art Institute, a US non-profit organisation.
Portrait: Staffan Ahrenberg Archive
Sam Keller
Born in 1966 in Basel, Sam Keller studied Art History, Philosophy and History at the University of Basel. He was Director of Art Basel from 2000 to 2007 and subsequently Chairman of the Art Basel Advisory Board until 2020. Sam Keller has been the Director of the Fondation Beyeler, Switzerland’s most visited art museum, since 2008. In addition, he serves on various boards and committees of museums, cultural foundations and corporations, including the Musée d’Orsay in Paris, the Berggruen Museum in Berlin, the Swiss Institute in New York, the Kandinsky Prize in Moscow, Novartis, and UBS.
Sam Keller has been honoured with awards including Officier de l’Ordre des Arts et des Lettres by the French Ministry of Culture, UNESCO Patron, Premio Madrid Creatividad, and an honorary doctorate from the University of Basel.
Portrait: Photograph by Shen Siyuan
Hans Ulrich Obrist
Hans Ulrich Obrist (b. 1968, Zürich, Switzerland) is Artistic Director of the Serpentine Galleries in London. Prior to this, he was Curator of the Musée d’Art Moderne de la Ville de Paris. Since his first show World Soup (The Kitchen Show) in 1991, he has curated more than 300 exhibitions.
Most notable among these are the Do It series (1993–), Take Me (I’m Yours) in London (1995), Paris (2015), New York (2016), and Milan (2017); and the Swiss Pavilion at the 14th International Architecture Biennale in Venice (2014). Obrist has also co-curated the Cities on the Move series (1996–2000), Laboratorium (1999); the operatic group exhibition Il Tempo del Postino in Manchester (2007) and Basel (2009); and The 11, 12, 13, 14, 15 Rooms series (2011–2015).
Obrist’s The Handwriting Project, which protests the disappearance of handwriting in the digital age, has been ongoing on Instagram since 2013 (@hansulrichobrist).
Portrait: Photograph by Frank Bauer, 2025
Isabela Mora
Born in 1968 in San Sebastián, Spain, and based in Madrid, Isabela Mora has developed her career internationally. She is responsible for International Projects at the Fondation Beyeler in Basel, and together with its Director, Sam Keller, has developed and overseen numerous projects over the past 20 years. She and Keller prepared a major exhibition on Francisco de Goya at the Fondation Beyeler in 2021, together in collaboration with the Museo Nacional del Prado, Madrid.
As a close collaborator of Hans Ulrich Obrist, Mora has produced a series of exhibitions curated by him at house-museums such as El aire es azul at Casa Barragán, Mexico City; Everstill at the Federico García Lorca Huerta de San Vicente home in Granada; and The Insides Are on the Outside at Casa de Vidro by Lina Bo Bardi in São Paulo. Obrist and Mora are currently preparing the next house-museum exhibition project at the studio and home of Alexander Calder in Roxbury, Connecticut, USA.
Together with Philippe Parreno, Douglas Gordon, and Anna Lena Vaney, Mora participated as an advisor on the development of the film Zidane: A Portrait of the 21st Century, directed by Gordon and Parreno. She is also a member of the Board of the Fundación Sandretto Re Rebaudengo Madrid.